Dir- Wes
Anderson
Year – 2014
Running
Time – 99 Mins
Screen
writing Genre – (Epic) Buddy Love
The Film
Wes
Anderson’s 2014 tale of fantasy and whimsy is a refreshing and original story
told expertly. The critics loved it and it picked up numerous nominations for
best film across the board. Perhaps unfairly overlooked for the best screenplay
Oscar, it none the less picked up a host of other awards for its visual style
and design.
What’s in a name?
The name
gives us a pretty good idea where the film is going to be set and also that it
will be a whimsical tale. There isn’t much more to it but it also hints at an
older time and place. It’s simple but does the job well.
What makes it great?
A very
strong script and some great performances throughout the cast make the story
come alive. The beautiful cinematography and the unique way the aspect ratio is
changed and used helps the film move along like a series of well-staged and
beautiful paintings that our cast move in and out of. The whole things looks
like a fairy tale and certainly takes the audience to another place.
The Grand Budapest Hotel as an (Epic) Buddy Love
Movie
The Grand
Budapest Hotel falls into the Buddy Love genre due to the main relationship
between the two lead characters. It’s a tale of friendship as two very
different people find friendship during an epic quest that takes them from an
old hotel to snow covered fields and mountain peaks. Though not lovers there is
even a tragic end for one of our much loved characters.
We also
have the key ingredients of an ‘incomplete hero’ and a ‘counterpart’ in our two
heroes and a ‘complication’ which draws them together in the tale of the
missing Will and painting.
Time Line
Opening Image – A grey cemetery followed by an author and a
book. The book opens and we start the story of the hotel.
Theme Stated – Our theme is based around the idea of age and
memories. The hotel is described as an enchanting old ruin. The film is
primarily about the experiences we have with the ones we care about and how we
remember them.
Set-Up – We see our fantasy land, the hotel and meet our key
characters. We are walked around the hotel and a tone of melancholy is also
set.
Catalyst – Zero begins to tell his story and his job
interview starts around minute 12. It is his choice to enter the world of the
GBH.
Debate – The debate is around whether Zero fits the GBH.
Should he be hired? What actually is a lobby boy? He is of course and then Mr
Gustave asks him to accompany him to one of his beloved guest’s mansions.
Break into Two – Once the train arrives at the mansion we are
beginning to enter the realms of no return. Once the Will is read there is no
turning back and Gustave and Zero are now locked in for the duration of the
tale.
B Story – The B story is mentioned right on queue and then
put off until later. It is of course the story of Zero and Agatha.
Fun and Games – There’s a game of hide and seek going on with
the painting and lots of different chases. There’s even a jail breakout to plan
to show us some of Mr Gustave’s charm in action.
Midpoint – Our story gets more serious as Zero in the
modern day starts to cry. He now begins to tell the story of himself and
Agatha.
Bad Guys Close In – Dmitri begins to close in on
Gustave and Zero as he goes on the hunt for the painting and people who stand
in his way. The stakes are raised in this section as a crucial document is
found to be missing. People begin to die thanks to Dmitri’s thug and Gustave
breaks out of jail.
All is Lost – All alone and without equipment and supplies
Gustave and Zero are lost and in danger. When there is no perfume available
Gustave loses his cool properly for the first time.
Dark Night of the Soul – Gustave realises he has lost his cool and gone too far. He apologises and the two friends makeup and continue their journey.
Break into Three – Running across the snow they find the magic
phone box and ask for assistance from the society of the cross keys.
Finale – More people die and the thug chases Zero and
Gustave to the observatory. Dmitri realises the painting is missing and the
mountain section culminates in the ski chase back down. Zero then pushes the
thug off the cliff to save the day. (Note, Zero is making things happen here
rather than Gustave)
We see
the final fate of our characters and the story begins to fade out.
Final image – Zero now older and back in the present. The
story is told and we are now wiser to the stories and memories held within the hotel
and why it is so important to him.